A brief overview of six racing cars and three experimental Corvairs Larry Shinoda designed.
Check out our awesome slide show tribute to Larry Shinoda’s designs at the bottom of this post.
Larry Shinoda’s designs were so strong that when his name comes up, it’s almost always first associated with Corvettes. But Larry’s talent for designing fast-looking cars wasn’t limited to Corvettes. I suppose that when you are the go-to-stylist for a legend the likes of Bill Mitchell, you get a few peach projects. In retrospect, what helped make Shinoda’s design work so edgy was his passion for racing. In a sense, Larry’s NHRA Nationals win in ‘55 put him in the same category as 1954 Le Mans racer Zora Arkus-Duntov. As Bill Mitchell used to say, both men had, “gasoline in their veins.”
Shinoda’s race car design credits include: Pat Flaherty’s 1956 Indy 500-winning John Zink Special, Bill Mitchell’s 1959 Stingray Racer, Zora Arkus-Duntov’s CERV I and CERV II, the GS-II (Grand Sport II), Jim Hall’s Chaparral-2, and Peter Weismann’s 1963 rear-engine Indy car.
Although the Corvair never really caught on as a performance car or a sports car, designers such as Shinoda had some jaw-dropping ideas for Chevy’s rear-engine car. The 1962 Monza GT Coupe was in direct competition with Ford’s mid-engine 4-banger Mustang I concept car. What an interesting Chevy vs Ford battle that would have been! When you work in an R&D department often many “variations on a theme” are explored.
The Monza SS was an open cockpit-type design with a racer-like cut-down windshield. Another version was explored with a more traditional type of windshield. And in the same way that other GM divisions glommed on to Harley Earl’s Corvette concept in ‘53 and came up with their own “Corvette” concept cars for the ‘54 GM Motorama (the ‘54 Pontiac Bonneville, Buick Wildcat, and Olds F88). We have an example of a Monza variation that looks a lot like a roadster version of the 1964 XP-833 Pontiac Banshee. It was very common back then for designs to get tossed about within GMs divisions.
One Shinoda design that was not shared by any of GM’s other divisions was the 1967 Astro I. Corvair production peeked in ‘65 for approximately 235,000 Corvairs built. By ‘67 the number went to just over 27,000! The Corvair-based Astro I concept/show car arrived in 1967 and was probably started around ‘65 – ‘66, before the car started to tank. Unlike the Monza GT that eventually became the ‘67 Opel GT, the Astro I was so over the top, none of its design elements were used in any serious fashion. Instead, Chevrolet used the “Astro” name on one of their full-size vans and there was nothing “Astro” about it. Continue reading “A Look Back At Race Cars & Corvairs Designed by Larry Shinoda” →
Hot rodder Shinoda teams up with Bill Mitchell and defined the “Corvette look.”
Perhaps it was “in the stars” that Larry Shinoda was in the right place at the right time. If you strictly look at Shinoda’s resume in 1956, you might ask, “How did this guy get in the front door?” As a young man, the only thing Larry ever graduated from was high school, Army boot camp, and the School of Hard Knocks. Twelve-year-old Larry had his life turned inside out when along with thousands of Japanese-Americans, he and his family were sent to interment camps for the duration of WW II. The experience had a profound effect on his personality. A self-professed “malcontent” Shinoda could be a little difficult to work with.
After his Army tour of duty in Korea, Shinoda attended Art Center School of Design in Los Angeles, but truly hated being there. He could see no purpose in taking the classes in design and the various art mediums, such as watercolor painting. He was a car guy/hot rodder and he wanted to draw and design cars! So he left Art Center without graduating and based strictly on his car illustrations, landed a job at Ford, then Studebaker/Packard. Just a year after starting his career, he landed a job as a designer at General Motors.
The rest is the stuff of legend. Street racing and blowing the doors off of Bill Mitchell’s souped up Buick and quickly being taken under Mitchell’s wing. Things like that happens, but rarely. There was obviously some chemistry between the two men, perhaps it was because both men could be brash and had strong opinions.
Shinoda got his first big break when Mitchell tapped the 28-year-old to translate the body design of the ‘57 Q-Corvette on to the mule chassis from Duntov’s aborted Corvette SS project. The finished car became Mitchell’s 1959 Stingray Racer, which formed the styling theme for the ‘63 Corvette. From there, Shinoda got one peach project after another. It’s worth noting that the design of the Stingray Racer is held in such high esteem that current Corvette chief designer, Tom Peters (C6 Corvette and late model Camaro designer) is on record stating that his ‘09 Corvette Stingray Concept (aka Transformers Corvette) was influenced by the ‘59 Stingray. Continue reading “A Look Back At Corvettes Designed by Larry Shinoda” →
Tom Benford’s Summer 1997 candid dinner interview with car design legend, Larry Shinoda.
Our celebration of the life and career of car design legend Larry Shinoda continues with this delightful interview that was originally published in the December 1997 issue of VETTE Magazine. Tom Benford and his wife Liz connected with Shinoda in August of ‘97 at the Corvettes At Carlisle Show, in Carlisle, Pa. This may well have been Larry’s last interview, as he died just 2-1/2 months later. Larry’s kidney disease had progressed to the point where he was on the list waiting for a donor kidney.
According to the Pasadena City College Celebrated Alumni Larry Shinoda page , “In poor health, Larry Shinoda remained active to the end. Larry passed away at his home in Michigan of heart failure on November 13, 1997, while working at his design desk with a phone in his hand. Larry had just passed the final tissue-match test for his kidney transplant the day before he died. Though Larry is gone, his legacy lives on.” Continue reading “Larry Shinoda Interview From December 1997 VETTE Magazine” →
The next time you see a mid-year Sting Ray or Shark Corvette, think of Larry Shinoda.
He was born “Lawrence Kiyoshi Shinoda” but the automotive and Corvette world knew him as Larry Shinoda – Corvette designer and all-around carguy! Growing up in Southern California, Larry was steeped in the car culture and like many SoCal young men, was into the burgeoning sport of drag racing. In addition to his Corvette accomplishments, Larry also participated in an won his class at the very first NHRA national event in Great Bend, Kansas in 1955.
Larry was only 25-years old when after not completing his studies at Art Center School of Design in Los Angeles, he landed his first job with Ford in 1955. A year later, he briefly went to work at Studebaker/Packard, then went to General Motors late in 1956. Larry not only had an impressive portfolio, he had an intuitive sense of styling. If didn’t take long before his talent caught the keen eye of GM’s Bill Mitchell. But it wasn’t just Larry’s skill at wielding a pen and airbrush that helped acquaint him with Mitchell – it was drag racing.
The story goes that one day Shinoda and Mitchell had a chance encounter at a traffic light. Since both men had what Mitchell called, “gasoline in their veins,” neither man needed much goading to initiate a little stoplight grand prix. The light turned green and Larry put a whoop’n Bill, which may have been one of his best career moves. Mitchell drafted Shinoda into his special forces of car design, headquartered deep inside GM’s guarded facilities in a place called, “Studio X.” (sounds like a ‘50s sci-fi b-grade movie, doesn’t it”?) Continue reading “Corvette Timeline Tales: Happy 82nd Birthday Larry Shinoda” →
If a “Split-Window” option was available on the C7 Corvette, would you order your C7 with one?
This is the photo from the Car and Driver story.
I Photoshopped the split-window out of the rear window on this photo.
Last week I talked about the Car and Driver C7 update from their April 2011 issue. Among all the rehashed jib-jab, there was one tantalizing paragraph. The seventh paragraph says…
“More startling, it seems certain that the coupe’s going-away view will feature a split rear window – ‘a la the one-year Sting Ray coupe of 1963 – though in this case it will be an optional feature. Chevrolet first signaled its interest in reviving the split-window by outfitting the Stingray concept vehicle with one. Yes, that’s the one that appeared in the second Transformers movie.”
In my initial hunt for some technical/technical red meat in the story, I kind of skipped by the above detail. The rearview image from the Car and Driver story (quite possibly a styling study) shows a split-window, although due to the low angle of the image, it’s easy to not notice. Continue reading “C7 Corvette Split-Window Coupe “Option”?” →
Stricken With Seller’s Remorse, New Jersey Corvette Fan, Jonathan Settrella Creates His Ideal Corvette… Again!
Settrella’s custom Sting Ray received the “shaved” look. See any door handles?
I met Jonathan Settrella in 1975 at an art show in Moorestown, New Jersey. We struck up a conversation and it turned out that Jon had a Corvette – a customized, ‘63 Split-Window Coupe. We hung out occasionally and used to see one another at various art shows. But as the ‘70s and ‘80s wore on, life got in the way and I lost touch with my artist/car friend.
Fast forward to September ‘09 at the Weaton Village Vettes At Glasstown Show in Millville, NJ. I looked up and saw a car I hadn’t seen in nearly 30 years! I said to my wife, “I know that car!” Sure enough, it was my old pal, Jonathan Settrella. After catching up, I said, “Jonathan, I can’t believe you STILL have the ‘63 Coupe.” He replied, “This is a replica of the car you saw way back when.” Sensing a story, I said, “Okay, so what happened?” It turned out to be a classic tale of sellers remorse. In Settrella’s case, it was MAJOR remorse. But first, lets back up about 40 years. Continue reading “Rebuilding His 1963 Split-Window Coupe Sting Ray Dream Machine” →