Illustrated Corvette Series No. 200 1953 – 2014 Corvette
“DETROIT’S ULTIMATE SUCCESS STORY?” by K Scott Teeters as originally published in Vette magazine
In the February 2014 issue of VETTE Magazine, I celebrated my 200th installment of The Illustrated Corvette Series with a look back at the entire history of the Corvette. The title of the column is, “DETROIT’S ULTIMATE SUCCESS STORY?” The Corvette has come a very long way from being a car that many inside GM wanted to kill off to becoming General Motors’ flagship halo car.
While the article in VETTE only shows one Corvette from all seven generations of Corvettes, I wanted to do something extra special. So, I created the 1’ x 3’, “Seven Generations of Corvettes 1953-2014 Corvettes” art print, available through our Fine Art America store, HERE.
The print is available in a variety of sizes and can be custom framed right from the site.
Here is the story……..
2013 may be remembered as the most extraordinary year in Corvette history. Not only was 2013 the last year of the sixth generation Corvette, it was also the 60th anniversary of the first Corvette. The only way it could have been better was if the C7 have been released as a ‘13 model. Arguably, the C7 was the most anticipated Corvette ever seen. Continue reading
John Loeper’s 1954 Corvette Hot Rod – Subtitle: Dad’s advice was, “Buy American! It will last a lifetime!”
by K.Scott Teeters (as originally published in Vette Vues magazine)
Sometimes, the things our fathers tell us when we’re young, really stick. John Loeper was just 16 years old in 1959 when he discovered a car that he just had to have.
John worked all summer, mowing lawns, doing odd jobs and such, to scrape up the $800 for a ‘54 Corvette that was previously owned, many times over.
In fact, John was the 13th owner and as fate would have it, the last owner of the car.
Loeper grew up in the beautiful, ocean side resort town of Ocean City, New Jersey and was a teenager in the ‘50s. I can’t think of a cooler place and time to be as a teenager.
John explains the car culture this way. “Back in ‘58 there really weren’t that many Corvettes on the road. Chevy had only made a little over 13,000 Corvettes by the end of ‘57 and they had a reputation as a rich kid’s car. Continue reading
Bench Racing With VETTE Magazine Founder, Marty Schorr
To listen to the FREE Archived Show, CLICK HERE.__________________________________
Our guest is author and automotive journalist, Marty Schorr. Marty is a “car guy’s, car guy.”
With over five decades of hands-on experience, behind the wheel and under the hood of some of the most amazing cars ever, plus capturing images with his camera and word-smithing the life and times of the American muscle car, Marty Schorr has a unique perspective.
Marty came of age in the ‘50s, right at the beginning of the birth of America’s postwar love affair with performance cars. After joining a hot rod club in his home town of Brooklyn, New York, Marty learned that his real talent wasn’t driving race cars or spinning wrenches, though he definitely is skilled in those areas.
Marty’s gift is in the arena of visual arts and word-smithing. By the late ‘50s Marty got the bug for writing stories and photographing hot cars for magazines. What started out as a passion for cars became a lifelong career. Continue reading
Corvette restoration master, Kevin Mackay talks about his FAVORITE restored Corvettes
To Listen to FREE Archived Kevin Mackay, CLICK HERE.
Hello Corvette Fans! Our guest on Far Out Radio is early generation Corvette restoration expert, Kevin Mackay. Kevin is the owner of CORVETTE REPAIR, in Valley Stream, New York (on Long Island), as well as an early model judge with NCRS – that’s the National Corvette Restoration Society.
Kevin and his team of specialists have had the honor of having brought back to life some of the most valuable, important Corvettes that ever existed – as well as the creation of some of the most unique automotive display pieces.
We talk to Kevin about his amazing career and creations – and to help this program come alive, Kevin and Scott discuss many of the Great Corvette restoration projects listed on the post over at FarOutRadio.com Click Here to link to the post. Continue reading
A Most Excellent Addition To Your Corvette Library
I’ve been collecting car magazines and car books since the mid-’60s. My library has gotten larger than I ever imagined. There’s one book that I accidentally bought three times. I have four different versions of essentially the same book authored by Randy Leffingwell and published by Motorbooks. All four versions are very nice books, loaded with excellent images and well written prose by Leffingwell. But each time I bought the book online, I thought I was getting a different book because the covers and sizes are all different.
So, when I saw that Motorbooks was publishing “Corvette Sixty Years,” I was holding out in hopes of a totally new book and not a shuffled around version of the previous “Corvette Fifty Years” with some updated C5 and C6 material. I was NOT disappointed! Leffingwell and MBI have delivered the goods! The book is, for me, a visual delight. You see, when you have as many books and magazines as I have, you’ve probably seem nearly all of the old vintage photos showing the design and development work on the Corvette. At least, that’s what I thought!
A look back 60 years ago to how the first Corvette came to be.
I call the Corvette the “The American Automotive Horatio Alger Story.” It’s the ultimate automotive rags-to-riches story. You could also call it an automotive Cinderella story. While the C6 has taken more flack than it deserves, it’s good to look back to the very beginning to get a really clear picture of how far the Corvette has come in 60 years.
Since we’re rolling into the C6’s final year and looking forward to the new 7th generation Vette, the next several installments of my VETTE Magazine monthly column looks back at the “first” of each generation Corvette. So, let’s go back to the beginning. - Scott
In September 1951, GM’s chief of design, Harley Earl took his Le Sabre dream car to Watkins Glen for a little GM-style show’n tell. Earl was impressed with the “sports cars” he saw there and went back to work with a new car concept for General Motors – an American sports car.
Post WW II saw the birth of plastics and glass-reinforced plastic, or “fiberglass” and Earl saw a new way to build prototypes and production cars. In February ‘52, Life Magazine presented the new space age material in a story titled “Plastic Bodies For Autos.” By March, GM was reviewing the Alembic I, a fiberglass bodied Jeep. Impressed with the new material, Earl decided to start moving on his sports car idea. Engineer Robert McLean designed a chassis layout and by April a full-size plaster model was shown to GM’s management. The following month, Ed Cole was promoted to Chief of Engineering for Chevrolet and was onboard with Earl’s project. Earl pitched his concept to GM’s president, Charles Wilson and Chevrolet general manager, Thomas Keating in June and got the approval to build a functional prototype for the GM Motorama in January 1953. The car’s working name was… “the Opel Sports Car.” Continue reading
Our New Partnership With FineArtAmerica.com
We are very happy to announce our new Corvette art prints enterprise with FineArtAmerica.com. But first, I must give credit, where credit is due. My lovely wife and business partner Karen, discovered FineArtAmerica.com about a month ago. Partnering with FineArtAmerica.com allows me the freedom to create Corvette art print layouts in any proportion. FineArtAmerica.com allows customers to order my Corvette prints in sizes to fit their budget needs! The optional matte and framing service allows customers the freedom to choosing their color matte and frame style to suit their decor needs.
By offering our Corvette prints through FineArtAmerica.com, customers can order prints as small as 8” x 2-5/8” up to 48” x 16” for our 1×3 proportion layouts and 8” x 8” up to 48” x 48” for our square proportion layouts. Every print can be produced on either archival matte paper, photo paper, watercolor paper, or canvas. Then, if you want, you can have your print custom matted and framed. There are dozens of matte colors and frame styles. You can design your framed print to match your home decor. The possibilities are staggering!
Corvette’s Motorama Kiss’n Cousins
In 2009 when GM was getting negative publicity because of its financial troubles, I received a few emails with images of the 1954 GM Motorama Concept Pontiac Bonneville Special, Buick Wildcat II, and Oldsmobile F-88. For 1954, these are very cool-looking cars and you can’t miss the Corvette connection. The basic message in the email was, “Look at what the Corvette could have been if GM hadn’t let Chevy have the design. These cars had bigger engines and were nicer cars. GM got it wrong.” To which I say, “Ah, no.”
To begin with, the Corvette came first. Harley Earl started his small sports car design in 1951. By the end of ‘52 the hand made XP-112 Corvette was ready for its debut at the ‘53 Motorama Show on January 17, 1953. The concept was a completely unproven and much to Earl’s delight, was very enthusiastically received. So the car was rushed into production with almost zero development. By June ‘53 the first of only 300 Corvettes was released. Compared to the 332,497 Chevy 210 Deluxe 4-door sedans sold in ‘53, 300 Corvettes almost doesn’t qualify as “production.”
But before the numbers came in, Pontiac, Buick, and Olds wanted to take their shots at the 2-seater sports car concept. But unlike the spartan Corvette, the other divisions went in the direction of the ‘50s – big and bold. All three cars were typical concept cars – over festooned, and not produceable at a reasonable cost. The Corvette, also a concept car, was much more realistic for production. Continue reading
Dave MacDonald: Corvette Racer… Corvette Man… Family Man
You can catch Part 1 of this story HERE.
Being hired by Shelby made the MacDonald’s life almost as fast as the cars he drove. In the 17 months between the beginning of ‘63 through to the ‘64 Indy race, MacDonald raced in 44 events. The ‘64 Indy crash was the first time the 500 had ever been stopped because of an accident. The media at the time, would regularly make big headlines over any auto racing mishap, and were all over the crash. While Indy officials quickly concluded that there was no driver error, the race was hotly debated for decades.
“After Indy, I was hurting so, I needed to change my life, so I moved a few miles away, but stayed close to my in-laws. From Indy on, I didn’t follow racing. My interest in racing was basically ONE RACE DRIVER.” It wouldn’t be until the early ‘90s when Corvette fans started recovering and restoring old Corvette race cars that MacDonald’s all too short racing career began to get attention. “It is so gratifying and nice to meet people that raced with Dave and hear how much they admired him, not only for his skill as a driver, but for being a really nice guy.” Today Sherry MacDonald is retired and as busy as ever with volunteer projects and her large family. Continue reading
Vette Videos: Larry Shinoda and Peter M. De Lorenzo Talk About Corvette Design Legend, Bill Mitchell
Shinoda shares his Mitchell “fish story” and De Lorenzo shares his “”neighborhood kid on a bike” Mitchell story!
Here’s one for the Kawinkydink Department. I thought we were all done with our look back and the life and career of Larry Shinoda – wrong! This morning while surfing around the net, I found a video about Bill Mitchell. Before I knew it, there’s Larry Shinoda telling stories about his former boss, Bill Mitchell!
Most of us in the Corvette community are very familiar with the unique “shark” paint style used on the Mako Shark-I, Mako Shark-II, and the Manta Ray concept/show cars. Larry shared a wonderful story about how the guys in the painting department perfected that distinctive paint scheme.
Also interviewed in the video is the late David E. Davis, former Campbell-Ewald Advertising man, former editor of Car and Driver, and founder and former editor of Automobile Magazine. Here’s the video…
A brief overview of six racing cars and three experimental Corvairs Larry Shinoda designed.
Check out our awesome slide show tribute to Larry Shinoda’s designs at the bottom of this post.
Larry Shinoda’s designs were so strong that when his name comes up, it’s almost always first associated with Corvettes. But Larry’s talent for designing fast-looking cars wasn’t limited to Corvettes. I suppose that when you are the go-to-stylist for a legend the likes of Bill Mitchell, you get a few peach projects. In retrospect, what helped make Shinoda’s design work so edgy was his passion for racing. In a sense, Larry’s NHRA Nationals win in ‘55 put him in the same category as 1954 Le Mans racer Zora Arkus-Duntov. As Bill Mitchell used to say, both men had, “gasoline in their veins.”
Shinoda’s race car design credits include: Pat Flaherty’s 1956 Indy 500-winning John Zink Special, Bill Mitchell’s 1959 Stingray Racer, Zora Arkus-Duntov’s CERV I and CERV II, the GS-II (Grand Sport II), Jim Hall’s Chaparral-2, and Peter Weismann’s 1963 rear-engine Indy car.
Although the Corvair never really caught on as a performance car or a sports car, designers such as Shinoda had some jaw-dropping ideas for Chevy’s rear-engine car. The 1962 Monza GT Coupe was in direct competition with Ford’s mid-engine 4-banger Mustang I concept car. What an interesting Chevy vs Ford battle that would have been! When you work in an R&D department often many “variations on a theme” are explored.
The Monza SS was an open cockpit-type design with a racer-like cut-down windshield. Another version was explored with a more traditional type of windshield. And in the same way that other GM divisions glommed on to Harley Earl’s Corvette concept in ‘53 and came up with their own “Corvette” concept cars for the ‘54 GM Motorama (the ‘54 Pontiac Bonneville, Buick Wildcat, and Olds F88). We have an example of a Monza variation that looks a lot like a roadster version of the 1964 XP-833 Pontiac Banshee. It was very common back then for designs to get tossed about within GMs divisions.
One Shinoda design that was not shared by any of GM’s other divisions was the 1967 Astro I. Corvair production peeked in ‘65 for approximately 235,000 Corvairs built. By ‘67 the number went to just over 27,000! The Corvair-based Astro I concept/show car arrived in 1967 and was probably started around ‘65 – ‘66, before the car started to tank. Unlike the Monza GT that eventually became the ‘67 Opel GT, the Astro I was so over the top, none of its design elements were used in any serious fashion. Instead, Chevrolet used the “Astro” name on one of their full-size vans and there was nothing “Astro” about it. Continue reading
Hot rodder Shinoda teams up with Bill Mitchell and defined the “Corvette look.”
Perhaps it was “in the stars” that Larry Shinoda was in the right place at the right time. If you strictly look at Shinoda’s resume in 1956, you might ask, “How did this guy get in the front door?” As a young man, the only thing Larry ever graduated from was high school, Army boot camp, and the School of Hard Knocks. Twelve-year-old Larry had his life turned inside out when along with thousands of Japanese-Americans, he and his family were sent to interment camps for the duration of WW II. The experience had a profound effect on his personality. A self-professed “malcontent” Shinoda could be a little difficult to work with.
After his Army tour of duty in Korea, Shinoda attended Art Center School of Design in Los Angeles, but truly hated being there. He could see no purpose in taking the classes in design and the various art mediums, such as watercolor painting. He was a car guy/hot rodder and he wanted to draw and design cars! So he left Art Center without graduating and based strictly on his car illustrations, landed a job at Ford, then Studebaker/Packard. Just a year after starting his career, he landed a job as a designer at General Motors.
The rest is the stuff of legend. Street racing and blowing the doors off of Bill Mitchell’s souped up Buick and quickly being taken under Mitchell’s wing. Things like that happens, but rarely. There was obviously some chemistry between the two men, perhaps it was because both men could be brash and had strong opinions.
Shinoda got his first big break when Mitchell tapped the 28-year-old to translate the body design of the ‘57 Q-Corvette on to the mule chassis from Duntov’s aborted Corvette SS project. The finished car became Mitchell’s 1959 Stingray Racer, which formed the styling theme for the ‘63 Corvette. From there, Shinoda got one peach project after another. It’s worth noting that the design of the Stingray Racer is held in such high esteem that current Corvette chief designer, Tom Peters (C6 Corvette and late model Camaro designer) is on record stating that his ‘09 Corvette Stingray Concept (aka Transformers Corvette) was influenced by the ‘59 Stingray. Continue reading